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31 Hours

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WHAT READERS ARE SAYING:

    A Washington Post Best Mystery/Thriller of 2009


“Hamilton has used both her considerable empathy as a writer and her experience in the Middle East to create an intimate portrait of 21-year-old Jonas Meitzner. It’s not easy to like him for what he intends to do, much less admire him, but Hamilton makes us aware of his humanity…Sensitive, lonely and full of the anger and doubt many young people feel, Jonas seems in Hamilton’s hands not a stranger, not an impenetrable figure of dread whose behavior is beyond our understanding, but the ordinary, fragile child of ordinary, fragile people. You don’t exactly want to look at the story of what happens to Jonas, but Hamilton has made it very hard to tear your gaze away.”—The Washington Post

“I think the best way I could describe 31 Hours is that it’s this emotional snowflake that turns into a snowball that turns to an avalanche.” —Meg O’Connor, Maria’s Bookshop

“A literary novel that is also as suspenseful as a thriller. “31 Hours” is Hamilton’s third book, and while the phrase “break-out book” is often bandied about too easily, Hamilton has written something singular…Masha Hamilton’s new book has the pace of the most entertaining thriller, the information of an educational documentary, the compassion of an enlightening text, and the coherence of an artwork.”—The Book Studio


“I was awed by it…31 HOURS was gripping and powerful while also being thought-provoking; and after I finished it, I was literally shaking. Rarely does a book move me or affect me like this one did. I swear the ending actually took my breath away.”—bookingmama


“This is Masha Hamilton’s best work since Staircase of a Thousand Steps. I enjoyed it in the same way as Ann Patchett’s Run with its compact time frame and small cast of well-defined characters. I enjoyed Hamilton’s quietly insistent use of parallels and repeating themes and even irony…jaw dropping and thought provoking.”—Laura Hansen, Bookin’ It Bookstore


How much can we ever know the ones we truly love?  So asks Masha Hamilton in her riveting new novel, 31 HOURS.  It kept me up all night, and left me in tears.

Amanda Eyre Ward, author of Sleep Toward Heaven, Love Stories In This Town

Masha Hamilton uncovers the complex humanity behind the horror of terrorism. Read it for the exquisite craft, but also for the entry into a world that’s often splashed in the headlines, but seldom so brilliantly revealed.

Caroline Leavitt, author of Girls in Trouble and Coming Back to Me

Read more praise for 31 Hours

MASHA HAMILTON

31 HOURS

A woman in New York awakens knowing, as deeply as a mother’s blood can know, that her grown son is in danger. She has not heard from him in weeks. His name is Jonas. His girlfriend, Vic, doesn’t know what she has done wrong, but Jonas won’t answer his cell phone. We soon learn that Jonas is isolated in a safe-house apartment in New York City, pondering his conversion to Islam and his experiences training in Pakistan, preparing for the violent action he has been instructed to take in 31 hours. Jonas’s absence from the lives of those who love him causes a cascade of events, and as the novel moves through the streets and subways of New York we come to know intimately the lives of its characters. We also learn to feel deeply the connections and disconnections that occur between young people and their parents not only in this country but in the Middle East as well.

Carried by Hamilton’s highly-lauded prose, this story about the helplessness of those who cannot contact a beloved young man who is on a devastatingly confused path is compelling on the most human level. In our world, when a family loses track of an idealistic son an entire city could be in danger. From the author of The Distance Between Us.

BOOK INFORMATION

$24.95 US / $ 29.95C | Fiction Hardcover | 6 x 9 | 229 pages

October 2009

ISBN: 978-1-932961-83-6 | Carton Quantity: 24

EISBN: 978-1-93607-106-7

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READ EXCERPT

A wolf ’s howl. But more shrill, more prolonged. Carol sat fully upright, an inhale caught in her chest, before she realized there was, of course, no rabid wolf dodging Manhattan traffic. It was only winter’s wind slicing past her eleventh-floor apartment window with enough ferocity to rouse her. Then she grasped, in quick succession, that she’d been half-awake before the noise began, that her stomach hurt, and that her mind was filled with Jonas. Her
son. Her wild-haired precious. When he was tiny, on a frenzied night like this, he would have snuggled with her in this very bed, bare toes pressing against her leg. Now he extended over six feet, and though he hugged, he didn’t snuggle. God, where had those days gone?

More important: Where was he now?

She lay back down, reached to pull a pillow close, and smoothed her forehead with a hand as if wiping dust from a table. She wondered if she could will herself back to sleep but doubted it. Her most successful years of slumber stretched from Jonas’s birth through his toddlerhood, when the basics felt simple and pure and her arms had been full of husband and baby, potter’s clay and homemade bread. Through the remaining, darker days of marriage, divorce, and the occasional lover, erratic sleep became the status quo. Still, whenever she awakened in the wee hours, she wanted nothing more than to breathe in time with another human body—a desire that pointed to a primitive quality in her, she thought, one not suited to this modern life.
At age forty-eight, she still wasn’t used to sleeping alone.

When Jake was already gone and Jonas still a boy, she would sometimes crawl into her young son’s bed, rest a hand on his tummy, and match her breath to his. Often, if her presence woke him—she hadn’t thought of this in years—he would lull himself back to sleep by twirling her hair with his fingers, as if they were joined. He was so small then that air passed through his body at a pace more urgent than soothing. But the rise and fall of his stomach connected her to nothing less than the universe itself. Jonas saved her from facing her own mortality
during those long nights. Next to him, imagining herself a kite finally cut free of its string, she slept. That perfect boy with his drowsy warm scent and hair falling on the pillow like a piece of art. Why hadn’t he returned her calls?

THE AUTHOR

Masha Hamilton

Masha Hamilton is the author of four acclaimed novels, most recently 31 Hours, which The Washington Post called one of the best novels of 2009, and independent bookstores named an Indie choice. She also founded two world literacy projects, the Camel Book Drive and the Afghan Women’s Writing Project. She is the winner of the 2010 Women’s National Book Association award. She is the Director of Communications and Public Diplomacy at the US Embassy in Kabul.

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